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Knightsville

Sep 2016

2015 | Directed by Aly Migliori

In returning to home to celebrate a Catholic feast, Sara faces a family that now feels foreign and a culture she no longer understands. Knightsville examines the painful disconnect, and deep connection, one has towards home. It is a coming-of-age story unique to none, but set within the distinct backdrop of Rhode Island Italian American culture.

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This Time It’s Shopping

Sep 2016

2015 | Directed by Chek Wingo

A family-friendly short about a peculiar customer who interrupts a gift store owner’s quiet day. Is she really shopping… or is this some kind of game?

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Quintown

Sep 2016

Directed by Ben Silberfarb

An allegory about a young woman who becomes lost in the Vermont woods while searching for a fabled ghost town. This is first part of a three part series. The second, Fire was completed in the summer of 2016.

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Magick

Sep 2016

2015 | Directed by Rob Eckel

Two men embark upon a ritual aimed at transporting them into another realm of experience, into a dark realm of wonder, mystery and the vast expanse of the human mind.

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They’re Closing In

Sep 2016

2015 | Directed by Jarret Blinkhorn

Tension grows as a tired married couple are forced to deal with each others issues because if they leave… The creatures outside will make them regret it.

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The First Thought

Sep 2016

2016 | Directed by Elayne Cronin

A mother learns to let go of her son who is addicted to heroin.

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Ripple

Sep 2016

2015 | Directed by Conner Griffith

An exploration of the grown and the manufactured through their recurring motifs.

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Crest Of The Hill

Sep 2016

2015 | Directed by Amanda Kowalski and Samantha Broun

As his Alzheimer’s progresses, Greg O’Brien prepares to sell his family home.

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Memorial

Sep 2016

2016 | Directed by Ben Pender-Cudlip

Craftsmen are dwarfed by giant, abstract sculpture in Memorial, an experimental documentary. Monumental sculptures appear first as silhouettes, emphasizing their geometric purity and reminding us that cinema itself is act of reduction and representation. Human craftsmen provide scale, and the eyes through which we perceive the work. Crawling about and even soaring, God-like, over the rusty plates and tubes, they simultaneously humanize and deify this inanimate work. Archival footage introduces a sense of temporality, and asks us to consider how the scales of time differ for humans and our creations.

Memorial chronicles the complete lifecycle of its steel subject, but leaves the biggest question—why must it be destroyed?—to the audience. In considering this, we confront our own mortality and choices to express ourselves through art, even if it will not outlast us.

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Elenoir

Sep 2016

2014 | Directed by Melissa J. Kosmaczewski

Seventy-eight-year-old Elenoir wanders through her home while having nostalgic delusions of her past. These delusions lead her to face the trauma that caused her to lose her mind.