2009 Online New England Film Festival
After gorging on a classic old-fashioned seaside delicacy a curious woman finds herself launched into a radical encounter with heaven. Clam Pie was shot at the Great Island Bakery in South Yarmouth, and at other Cape locations including Chapin Beach in Dennis.
White Elephants is a sensitive, slice-of-life story involving a young couple going through the normal course of their day, while coming to terms with an unexpected medical diagnosis. The film is a reflection on the unfortunate hardships that can befall any couple, the decisions we are sometimes forced to make, and the ability to support one another as best as one knows how.
A wintry dawn edges out the blizzard of the night. A tired, frantic father on the phone, searching everywhere, fearing the worst. Headlights. A car pulls up. A girl emerges. She weaves her way to the door. In December Thaw, a fight between a single dad and his teen daughter threatens the seasonal quest that represents their close bond.
Footsteps follows and chronicles the world of Buddy Chancellor, a well-meaning but somewhat inept Bigfoot hunter. Although Buddy’s decade plus search for the elusive creature has been fruitless, his dedication and passion remains solid.
I Covered My Eyes investigates childhood notions of threat and safety by juxtaposing TV news broadcasts of tragic world events with home movie footage. The project was first conceived after seeing the televised images broadcast live on September 11 2001, and wondering what children must be feeling upon witnessing this horrific act within our own borders.
Soon after, director Paul Turano wrote a list of the tragic events he distinctly remembered witnessing on TV as a child in the 1970s and early 1980s. By adopting a child’s perspective, the film evokes his experience of learning about the outside world through news broadcasts, and the accompanying realization of threatened safety from forces outside his immediate family and community. As the sense of vulnerability grows throughout the film from abstract threats to more immediate and actual ones, the seemingly innocent and idyllic world of his childhood becomes overshadowed by an increasing awareness of its fragility and precariousness.
John is the heart-rending tale of a budding infatuation that leads to a heady and emotional high school hookup that tumbles forth into a tragic and painful rejection. A young boy comes of age and finds love and companionship in an unexpected place.
Though it has been over a decade since South Africa has become a free and democratic country, human rights violations still occur. Forced evictions of informal settlements, reminiscent of those that occurred during the apartheid regime, have uprooted people from their homes and displaced them in distant locations. Alfred ‘General’ Moyo is one of these evicted persons who have become a part of the Landless People’s Movement in an effort to resist the unlawful and unconstitutional removal of settlements in the Johannesburg area by the provincial government.
Larry, a 93 year-old widower confined to a nursing home, remembers a time when he had more spring in his step. Based on real audio recordings from 2002, animator Kristen Palana uses individually painted digital images to imagine and recreate her grandfather’s first attempts to woo his beloved Roz. Set in both 1943 and 2007, Larry and Roz is a three and a half minute glimpse into one couple’s six decade relationship.
Through a series of interviews conducted with several members of the filmmaker’s family, this film investigates a traumatic event that her mother experienced when she was six-years old. The length of time my mother was there, when this occurred, and if it even occurred are constantly being debated throughout the piece. While memory can be one way of attempting to compile ourselves into coherent individuals, this piece seeks to explore how the boundaries of “who we are” are shaped not only by our own memories but how we negotiate them with others.