2021 Online New England Film Festival Retrospective

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What Cheer?

Sep 2015

2013 | Directed by Michael Slavens

After the sudden passing of his wife, Stan (played by Richard Kind of Spin City, Curb Your Enthusiasm, Pixar’s Inside Out), ignores his overwhelming grief only to be faced with the unavoidable What Cheer? Brigade, a 20-piece punk marching band that floods his world with boisterous, interminable song.

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The Routine

Sep 2015

2014 | Directed by Brian Groh

Capturing the unsettling essence of a Twilight Zone episode and the sci-fi tone of a Ray Bradbury story, this reflective short film casts a bleak look at how technology can backfire at bringing us closer together, unintentionally creating more isolation and loneliness than ever before, sometimes leading to harrowing and tragic results.

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After Ella

Sep 2015

2014 | Directed by Marie-Emmanuelle Hartness

Hope is a successful photographer. Introverted and quiet, her demeanor plays in stark contrast to her glamorous work environment. When she learns that her sister Ella has passed away, Hope is stunned… until she begins to receive text messages from her. Are they for real? Using art as a tool for recovery, Hope begins to accept the fatality of death. She will evoke her sister’s presence – alive and in memoriam.

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the Scared is scared

Sep 2014

2013 | Directed by Bianca Giaever

I asked a six year old boy what my movie should be about. This is what he told me.

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Demi Pointe

Sep 2013

2012 | Directed by Talin Avakian

This is a short fictional narrative about a young girl who struggles to speak. As a selectively mute child, Sydney retreats to her vivid imagination during class and other situations where she may be expected to verbally communicate, as a way to escape her anxiety. Sydney begins to see a Speech Therapist, who decides to take an empathetic approach in therapy. As therapy progresses, Sydney discovers her love for ballet, and uses that as an outlet for communication.

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Filmmaking

Sep 2013

2013 | Directed by Aidan Rea Payne

Two filmmakers discuss the principal understanding of filmmaking and find themselves questioning their own understanding of the subject.

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Sanjiban

Sep 2012

2012 | Directed by Ben Pender-Cudlip

After his diagnosis with terminal cancer, eccentric filmmaker Sanjiban Sellew spent his final days at home with family and friends. Choosing to be as open with death as he was with life, he narrated on camera the extraordinary changes happening to him: “I feel myself becoming less of a human being daily, by the cancer in my brain that’s still chomping away at my electronics, my circuit boards.” After two and a half months, he died at home in rural Massachusetts. This short documentary takes place in the space and time between the end of one journey, and the beginning of another. With his twin brother John as our guide, we ferry Sanjiban’s body from home—a makeshift shrine in the dining room—to the furnace that will consume his earthly remains. “Sanjiban” is an intense, life-affirming story about the profoundly human experience of saying goodbye.

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BirthMarkings

Sep 2012

2011 | Directed by Margaret Lazarus

Twelve women explore how their bodies have been transformed by giving birth. We see body images and hear their voices. They talk to us from their bodies. We hear and see their ambivalence, humor and love. The film began when I learned that one of the fastest growing plastic surgeries was the post-birth tummy tuck. I thought about what it meant that we want to erase the signs that we have delivered children. I was driven to create a film that reframes and destabilizes our reactions to a woman’s body after she has given birth. The film builds on the tradition of body artists like Carolee Schneeman and Ana Mendieta, who used the transgressive presentation of violence and eroticism to shock and challenge. In “BirthMarkings” we chose to explore what one of the women in the film called the “public reaction of disgust and horror” to images of her post birth belly. In a nip-tuck driven culture that is inured to violence and erotica; a culture in which babies are often seen as the latest accessory, what is transgressive is the image of a woman’s abdomen that is not taut, and unmarked by birth. “Birthmarkings” challenges the static, commodified images that are everywhere in our public culture and define what is beautiful and visually acceptable. We refocus on the beauty, dynamism and lived experiences of the marks of birth. We become engaged in the tension between the dynamic and the static and the natural world and the commodity.

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Respect for Acting

Sep 2010

2010 | Directed by Richard Waterhouse

A frustrated acting teacher struggles to spark passion in his inexperienced students.

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Jelly Fishers

Sep 2010

2009 | Directed by Steven Subotnick

A family of hungry mole-creatures is saved by the generosity of jellyfish.