New Hamsphire

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Killing Dinner

Sep 2010 | Posted by:

2009 | Directed by Mitchell P. Ganem

“Dinner is the best form of foreplay. Especially when it leads to sex, guns and mayhem.” A special ops agent drops off the grid and into the kitchen, working incognito as a chef. When old lovers and comrades in arms come calling with guns blazing, Michael Dinner must put down his chef’s knife and pick up a gun.

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Mito-Kids: Documenting Life

Sep 2010 | Posted by:

2009 | Directed by Marc A. Dole

Mito-Kids: Documenting Life is a short documentary about four teenage sisters who have grown up with disabilities that stem from mitochondrial disease, a chronic, genetic disorder that occurs when the mitochondria of the cell fail to function properly. This video family history follows the Dole family as they are diagnosed with a series of diverse medical problems including diabetes, deafness, seizures, fatigue issues, thyroid problems and dementia. Frustrated by the lack of information available, they look for answers, while maintaining a focus on living their lives to the fullest. Marc Dole is the father of these four young women and the film’s producer and director.

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Footsteps: The Buddy Chancellor Story

Sep 2009 | Posted by:

2007 | Directed by Colin Fowler

Footsteps follows and chronicles the world of Buddy Chancellor, a well-meaning but somewhat inept Bigfoot hunter. Although Buddy’s decade plus search for the elusive creature has been fruitless, his dedication and passion remains solid.

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I Covered My Eyes

Sep 2009 | Posted by:

2008 | Directed by Paul Turano

I Covered My Eyes investigates childhood notions of threat and safety by juxtaposing TV news broadcasts of tragic world events with home movie footage. The project was first conceived after seeing the televised images broadcast live on September 11 2001, and wondering what children must be feeling upon witnessing this horrific act within our own borders.

Soon after, director Paul Turano wrote a list of the tragic events he distinctly remembered witnessing on TV as a child in the 1970s and early 1980s. By adopting a child’s perspective, the film evokes his experience of learning about the outside world through news broadcasts, and the accompanying realization of threatened safety from forces outside his immediate family and community. As the sense of vulnerability grows throughout the film from abstract threats to more immediate and actual ones, the seemingly innocent and idyllic world of his childhood becomes overshadowed by an increasing awareness of its fragility and precariousness.