Massachusetts

| | | | |

Raising Emma

Sep 2013

2013 | Directed by Jeffrey Lin

Raising Emma examines the life of Emma, an adopted Asian American college student. Her story leads us from her experiences in an orphanage in China to growing up with her American family in Chicago.

| | | | | |

Selina Trieff Will Not Stop

Sep 2013

2012 | Directed by Marnie Crawford Samuelson

Artist Selina Trieff haltingly makes her way to her easel and gets ready to paint. And insists she will keep painting and drawing until her brush or pen drops from her hand.

Selina Trieff Will Not Stop is a humorous and touching portrait of a fearless American artist. Trieff has been called an American original by New York Times art critic John Russell.

| | | | |

Turnaround

Sep 2012

Turnaround
2012 | Directed by Patrick Jerome

After a pleading phone call from his dad, an estranged son returns home where he meets with his childhood friend and a former “employee.” Meanwhile, Fred’s father awaits him with a family secret that will soon show him how sometimes our choices in life can turnaround our destiny.

| | | | |

What Do You Know?

Sep 2012

2011 | Directed by Ellen Brodsky

Elementary school children from Massachusetts and Alabama describe what they know about gays and lesbians, what they hear at school, and what they’d like teachers to do. This 13 minute film was produced by Welcoming Schools, a project of the Human Rights Campaign Foundation. What do you know? has played in festivals and schools around the world. To order you own DVD, which is closed-captioned, Spanish subtitled, and comes with a teacher’s guide on the DVD, please click here, where you can also learn more about the Welcoming Schools program and their nationwide trainers.

| | | | |

24 Hours at the South Street Diner

Sep 2012

2011 | Directed by Melissa Dowler and Tom Dowler

In Boston, the city that brought us Cheers, there really is a place where the staff know all the regulars by name. But it’s not a bar, it’s a downtown diner that’s been there since the 1940s and has become a historical and cultural icon. 24 Hours At The South Street Diner introduces a diverse group of waiters, regulars, late-night revelers and local celebrities who call Boston’s only 24/7 restaurant home. They share stories of why this tiny diner means so much to the neighborhood and the city of Boston and how it’s survived fires, bankruptcies and even an attempt to revoke its late night license.

| | | | |

A Tiny Spark

Sep 2012

2010 | Directed by Franco Sacchi

In the desert of Nevada, His Excellency Kevin Baugh has founded the independent Republic of Molossia and created a faux secession. With a population of 6 (including his 3 faithful dogs) and a complex infrastructure that ranges from a miniature railroad system to a customs booth at the front door, Molossia provokes and makes us reflect upon the meaning of sovereignty and the limits of our individual freedoms.

| | | | |

Anywhere But Here

Sep 2012

2012 | Directed by Ross Thomas

Convinced by his father that their traveling back to his hometown is an archeological exploration of the past, Jackson instead finds the torn relationship between his grandfather and father.

| | | | | |

BirthMarkings

Sep 2012

2011 | Directed by Margaret Lazarus

Twelve women explore how their bodies have been transformed by giving birth. We see body images and hear their voices. They talk to us from their bodies. We hear and see their ambivalence, humor and love. The film began when I learned that one of the fastest growing plastic surgeries was the post-birth tummy tuck. I thought about what it meant that we want to erase the signs that we have delivered children. I was driven to create a film that reframes and destabilizes our reactions to a woman’s body after she has given birth. The film builds on the tradition of body artists like Carolee Schneeman and Ana Mendieta, who used the transgressive presentation of violence and eroticism to shock and challenge. In “BirthMarkings” we chose to explore what one of the women in the film called the “public reaction of disgust and horror” to images of her post birth belly. In a nip-tuck driven culture that is inured to violence and erotica; a culture in which babies are often seen as the latest accessory, what is transgressive is the image of a woman’s abdomen that is not taut, and unmarked by birth. “Birthmarkings” challenges the static, commodified images that are everywhere in our public culture and define what is beautiful and visually acceptable. We refocus on the beauty, dynamism and lived experiences of the marks of birth. We become engaged in the tension between the dynamic and the static and the natural world and the commodity.

| | | | |

Cleaning House

Sep 2012

2011 | Directed by Catherine Giarrusso

In Cleaning House, high-powered, compulsive Helen and her mixed-media visual artist daughter, Julia are coming together for the first time in years after Helen’s mother passes away. Obeying her grandmother’s dying wishes for her to look after Helen, Julia comes home bearing photos from Helen’s past, prompting a compelling confrontation.

| | | | | | | | |

Dirty Night Clowns

Sep 2012

2010 | Directed by Ryan Gibeau

Dirty Night Clowns is a wonderful tale of curiosity, danger and pursuit. Although its never known what the path ahead has in store, Chris takes a journey driven by his nervous curiosity to find the nefarious character who roamed about his house while he slept. What seems scary and evil from a distance might end up as something unexpected as a cast of characters lures Chris in for a special ending.