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Cameron, a neat and methodical salesman on the brink of losing all his patience with a coworker, George, who opposes his manners finds that they share something in common.
A woman returns home with her showrunner boyfriend to interview for a professorship at a prestigious university. Not only must she face her widowed mother who she left six years ago, but also the lingering presence of her deceased father, a renowned scholar and critic.
After Leigh is cut off from her cold, wealthy mother, and witnesses the arrest of her loving-yet-scheming father, she attempts to support herself by capitalizing on her love of wild mushrooms. But while foraging along the forest floor she discovers a shocking family secret.
A little boy with schizophrenia, miraculously survives a murder suicide attempt at the hands of his mother. Years later, he is still haunted by the past and stops taking medication to confront his demons. The film explores the truth about mortality and blurs the line between evil and mental illness. It questions our perception of reality and how we are incapable of fully understanding someone else’s.
This ten minute drama takes place during the New England winter holiday season. Nina borrows her husband Jim’s car for the day to go shopping with her sister Claire and discovers a card with a gift certificate from another woman. Determined to not let the note ruin her day, Nina shops with Claire at her favorite toy store from their childhood for gifts. Her feelings and frustrations reveal themselves throughout the day until she breaks down and opens up about the incident.
Experimental animated short from Raw Art Works student Juliana Gallant. City of Sin was a finalist for the Shoots! Youth Prize for an outstanding film by a filmmaker seventeen or under at Rabbit Heart Poetry Film Festival 2018.
A South Boston locksmith has existed for a century. Small shops like hers used to line the neighborhood; now, it’s among the last.
Two filmmakers discuss a newly written horror script, but realize that many of the tropes that are considered to be “classic” are actually detrimental to the genre.
When Brenda and Phil make the devastating decision to take their newborn daughter off life support, they must retreat to separate corners to grieve. Once Brenda gets the go-ahead to try again, they come out fighting, wondering if they can retrieve the trust and courage they once had together to take another chance on building their family.