Watch Online Now
Nine young gay men are interviewed in this unconventional documentary short. All nine men come from various areas across the country (Massachusetts, California, Texas, Indiana, Florida, Michigan, & New Jersey). However, none of the men are seen on screen, instead nine straight actors portray and lip-sync their appearances. The majority supports the minority in this film, as topics range from stereotypes to coming out, civil rights, and personal opinions.
A Work In Progress is a short experimental film that illustrates one way of understanding how life works, through knitting. In this film, the needles never stop knitting, motions never cease, and the most important people never truly leave. Scenes and sounds from a classic French film put you in a state of nostalgia no matter what year you were born. Yet it’s the unmistakable scratch of super 8 home movies fused with intimate and far away views of the knitter that stitch together the idea that our lives begin way before we know and will always be “a work in progress.”
White Elephants is a sensitive, slice-of-life story involving a young couple going through the normal course of their day, while coming to terms with an unexpected medical diagnosis. The film is a reflection on the unfortunate hardships that can befall any couple, the decisions we are sometimes forced to make, and the ability to support one another as best as one knows how.
After gorging on a classic old-fashioned seaside delicacy a curious woman finds herself launched into a radical encounter with heaven. Clam Pie was shot at the Great Island Bakery in South Yarmouth, and at other Cape locations including Chapin Beach in Dennis.
Footsteps follows and chronicles the world of Buddy Chancellor, a well-meaning but somewhat inept Bigfoot hunter. Although Buddy’s decade plus search for the elusive creature has been fruitless, his dedication and passion remains solid.
I Covered My Eyes investigates childhood notions of threat and safety by juxtaposing TV news broadcasts of tragic world events with home movie footage. The project was first conceived after seeing the televised images broadcast live on September 11 2001, and wondering what children must be feeling upon witnessing this horrific act within our own borders.
Soon after, director Paul Turano wrote a list of the tragic events he distinctly remembered witnessing on TV as a child in the 1970s and early 1980s. By adopting a child’s perspective, the film evokes his experience of learning about the outside world through news broadcasts, and the accompanying realization of threatened safety from forces outside his immediate family and community. As the sense of vulnerability grows throughout the film from abstract threats to more immediate and actual ones, the seemingly innocent and idyllic world of his childhood becomes overshadowed by an increasing awareness of its fragility and precariousness.
Though it has been over a decade since South Africa has become a free and democratic country, human rights violations still occur. Forced evictions of informal settlements, reminiscent of those that occurred during the apartheid regime, have uprooted people from their homes and displaced them in distant locations. Alfred ‘General’ Moyo is one of these evicted persons who have become a part of the Landless People’s Movement in an effort to resist the unlawful and unconstitutional removal of settlements in the Johannesburg area by the provincial government.
Larry, a 93 year-old widower confined to a nursing home, remembers a time when he had more spring in his step. Based on real audio recordings from 2002, animator Kristen Palana uses individually painted digital images to imagine and recreate her grandfather’s first attempts to woo his beloved Roz. Set in both 1943 and 2007, Larry and Roz is a three and a half minute glimpse into one couple’s six decade relationship.
After a crushing breakup, Michael journeys through the five stages of grief. With the help of psychologist Dr. Lieber, he conquers his demons, stops obsessing and finally finds true happiness. Kind of. Sort of. Maybe.